We haven’t posted much lately because we focused all our efforts into developing the first playable iteration of the combat system. This combat prototype (or let’s say Combat Pre-Alpha) will include almost every action and spell of the classes Fighter, Barbarian, Cleric, Wizard, Ranger and Rogue (about 100 actions and spells in total).

Along with animations, character models and visual effects, we already implemented the sound for various weapons, spells and hit effects.

Until we can show you a detailed insight of the combat system, this little preview video will give you a first impression of the Fireball spell at a higher character level. Those poor Goblins never had a chance and died many deaths during the development.

Except for the combat grid, we completely hid the user interface bec...

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During the last two weeks, we have been occupied with one of the most important visual elements of traditional RPGs: Character Portraits.
We needed to find a good compromise between quality and quantity because every NPC in our world that the player can interact with, must get his/her very own unique face. For us, that’s one of the most crucial points if you want to realize a believable world.
A small but expressive 2D portrait can deliver much more personality and individuality than a high-poly 3D model with fancy shaders and physically simulated hair.
After some experiementation with various Photoshop techniques, we finally figured out a proper way to create portraits in a reasonable amount of time in decent quality. The world of Realms Beyond, Argea, will be initially populated with at ...

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In an earlier post (Combat System #1) that discussed the combat system of Realms Beyond, we wrote that from the beginning, our aim was to make a turn-based game. However, we also mentioned that we carefully evaluated other variants, such as the Real-time-with-Pause (RtwP) combat system of Baldur’s Gate in particular. We are grown-ups that make games in an industry that still focuses mostly on kids as their key demographic and most of us were still teenagers when turn-based RPGs vanished and made room for the new era of real-time games.

Even if the pros and cons of different systems sometimes come down purely to personal taste, we believe that no one would argue that turn-based games tend to be less “action-packed.” It is the nature of the beast...

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At this time, we had planned to post more details regarding the game’s combat system, but lately, we were also busy adding a large number of story elements to Realms Beyond and while doing that, we decided to switch tack and share with you instead our thoughts about storytelling in a party-based CRPG. Needless to say, we will deliver the promised info about the combat system next week.

You may recall that somewhere in our initial blog posts we raised the subject that most modern RPGs these days tend to tell the journey of a single character. The player is the hero, the central figure around everything else revolves, etc. This approach oftentimes leads to pre-determined companions being added to the party over time, who typically bring with them their own personalities. Since Planescape: T...

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As you may recall, we touched upon this particular subject some time ago very briefly when we talked about our die rolling experiments with D&D 4th Edition: Six sides are better than four. Let’s elaborate.

This particular subject led to some of the most heated discussions among ourselves while we designed the combat system for Realms Beyond. There are times in the development cycle of a game that can lead to actual combat. Only in those cases, it typically gets resolved with arguments and words rather than the use of force and weapons.

Players of traditional D&D campaigns and those of the SSI Goldbox Games used to prefer dungeons and battlefields that were based on a square grid. Wargames and virtually every turn-based strategy game, on the other hand, favor hexagons...

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By now we can safely assume that you have heard about roleplaying games, but have you ever heard of a Roleplaying Odyssey? Let me introduce you to Phantasie, a game where the front of the box promised such an experience. And for the most part, we can acknowledge that it pretty much reflects the memory we have of the game.

Looking back, Phantasie might have been a pure Ultima derivative. It featured a large world for you to explore on foot as you searched for the next town or dungeon. However, it did not feature 3D dungeons. Instead, you would kind of unveil the passages of each dungeon on some kind of map screen...

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Up to this point, most of our blog posts have covered sources of influence and inspiration and some general game mechanics. What we have not covered at all so far, is the world of Realms Beyond. That’s where I come in…

Some of you may know me as “Dragon” in our forums and I am the Creative Director of Realms Beyond, which means, I am overseeing the creation of the content that you will eventually play in the game.

I do have a background in game design and I’ve worked on numerous roleplaying games before, in a variety of capacities, and when I joined the Ceres Team some time ago, the first order of business was the general world design.

While we’re using assets and code from the never-released Chaos Chronicles project, we decided early on to create the actual content for Realms Be...

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When The Bard’s Tale by Michael Cranford was first released, it foreshadowed a feature that would become standard in games today—an intro. In the case of The Bard’s Tale, it was an animated title screen that was reminiscent of a cartoon, showing a bard playing a song.
Naturally, the lyrics of the song appeared as text only on the screen but this was pretty impressive stuff in 1987 on the C64! The bard would stop playing to take a sip from his mug once in a while. One of the listeners sitting next to him would imagine the adventurous scenes portrayed in his odes, appearing and disappearing in graphics bubbles above his head.

One of the interesting and often overlooked things about The Bard’s Tale is that its character system was actually pretty similar to that of D&D...

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On the technical side, modern computer game development, especially in the field of roleplaying games, it appears, is very heavily focused on the visual presentation. Eye candy sells, there can be no doubt. Many will argue that music and the sound design are somehow important, too, but for the most part, it is the graphics that draw players in.

Back in the early days of computer games, computer RPGs never really considered graphics as their key focus. A large part of the reason was that hardware limitations kept things in check and so, game designers turned to music and sound effects to create the proper atmosphere. Nowadays, we have come to think that a bunch of hyperrealistic graphics with some epic music underneath make for great atmosphere, but you really couldn’t be more wrong.

Music ...

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You’re an adventurer. For most of the time, that means, being a traveler. And you can’t just keep walking all day long and then on through the night. So what do you do when you reach a clearing in the woods at dusk and have no idea how much longer you will have to walk until you may reach another city? Camping is what you do. You pitch a tent for the night and you try to get some rest.

For most D&D-based games, resting was an extremely important feature because it enabled you to recharge your spells. Aside from the elementary feature of memorizing spells or powers, in Realms Beyond, your party members will be able to use the time during an encampment to cook, eat, hunt, collect food, cure wounds or to identify items.

But encampments don’t come for free...

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